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Cinderella, or The Little Glass Slipper (French: Cendrillon ou La Petite Pantoufle de verre, Italian: Cenerentola, German: Aschenputtel, Russian Золушка, Zolushka), is a European folk tale embodying a myth-element of unjust oppression. Written versions were published by Giambattista Basile in his Pentamerone (1634), by Charles Perrault in Histoires ou contes du temps passé (1697),[1] and by the Brothers Grimm in their folk tale collection Grimms' Fairy Tales (1812).
Although both the story's title and the character's name change in different languages, in English-language folklore "Cinderella" is the archetypal name. The word "Cinderella" has, by analogy, come to mean one whose attributes were unrecognized, or one who unexpectedly achieves recognition or success after a period of obscurity and neglect. The still-popular story of "Cinderella" continues to influence popular culture internationally, lending plot elements, allusions, and tropes to a wide variety of media.
The Aarne–Thompson system classifies Cinderella as "the persecuted heroine". The story of Rhodopis about a Greek slave girl who marries the king of Egypt is considered the earliest known variant of the "Cinderella" story (published 7 BC), and many variants are known throughout the world.
Cinderella, or The Little Glass Slipper (French: Cendrillon ou La Petite Pantoufle de verre, Italian: Cenerentola, German: Aschenputtel, Russian Золушка, Zolushka), is a European folk tale embodying a myth-element of unjust oppression. Written versions were published by Giambattista Basile in his Pentamerone (1634), by Charles Perrault in Histoires ou contes du temps passé (1697),[1] and by the Brothers Grimm in their folk tale collection Grimms' Fairy Tales (1812).
Although both the story's title and the character's name change in different languages, in English-language folklore "Cinderella" is the archetypal name. The word "Cinderella" has, by analogy, come to mean one whose attributes were unrecognized, or one who unexpectedly achieves recognition or success after a period of obscurity and neglect. The still-popular story of "Cinderella" continues to influence popular culture internationally, lending plot elements, allusions, and tropes to a wide variety of media.
The Aarne–Thompson system classifies Cinderella as "the persecuted heroine". The story of Rhodopis about a Greek slave girl who marries the king of Egypt is considered the earliest known variant of the "Cinderella" story (published 7 BC), and many variants are known throughout the world.
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Meskipun kedua judul cerita dan karakter perubahan nama dalam berbagai bahasa, dalam bahasa Inggris-bahasa cerita rakyat "Cinderella" adalah nama pola dasar. Kata "Cinderella" telah, dengan analogi, datang berarti seseorang yang atribut yang tidak diakui, atau orang yang tiba-tiba mencapai pengakuan atau sukses setelah masa ketidakjelasan dan mengabaikan. Cerita masih populer "Cinderella" terus mempengaruhi budaya populer secara internasional, unsur pinjaman plot, sindiran, dan kiasan untuk berbagai media.
Sistem Aarne-Thompson mengklasifikasikan Cinderella yang sebagai "pahlawan dianiaya". Kisah Rhodopis tentang gadis budak Yunani yang menikahi raja Mesir dianggap sebagai varian yang dikenal paling awal dari cerita "Cinderella" (diterbitkan 7 SM), dan banyak varian yang dikenal di seluruh dunia.