Question

Proszę napiszcie mi krótką charakterystykę impresjonizmu po angielsku... poziom gimnazjalny ..... BARDZO PILNE!!!!!

Answer 1

Impressionism explores not any metaphysical problems, does not even attempt to penetrate beyond the surface color of everyday life, by contrast, focuses on the exterior, transience of the moment, mood, lighting or viewing angle. It represents the culmination, and last manifestation of the vision of painting, building upon the felling of the Renaissance and Renaissance perspective, and specifically trained by the habits of perception.
At the same time undermines the tenets of this vision, proves the subjectivity and relativity of human perception, making the color and form autonomous components of the image, from now on is no longer relevant, as is shown in the picture, but as he is painted.
Changed the theme images. Rejected biblical themes, literary, mythological, historical. Instead, it appeared the vision of everyday life and modernity. Artists often painted people in motion during play or rest, they presented the appearance of the site at a given light conditions, theme of their works was also nature. As one of the first painting in the open air, not by improving their work in the studios. However, they presented a painting only positive side of life, not stirred social problems did not contain a message. Omijało problems such as hunger, disease and death. This led to a split among the Impressionists.
Generally, the method of the Impressionists was dywizjonizm creative - to impose their spots next to the pure color, so that from a distance merged to form a complementary color. Shadows painted with primary colors mixed without the use of black. Dywizjonizm did not become a binding rule, as the Impressionists had never formed a formal group, which would clearly defined assumptions and creative methods. As a result, this principle applies more or less accurately. Another approach adopted followers of the Impressionists - neoimpresjoniści who have decided to strictly observe the principles puentylizmu.